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Untitled
Image by Smithsonian Institution
Description: As the Smithsonian's first photographer and curator of photography, Thomas Smillie used images to catalog the much of the institution's physical object collection, ranging from stuffed animals to plant fossils, decorative boxes, and beyond. The photographs themselves are now part of the Smithsonian's collection.
Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917
Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie's duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum's installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie's documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution's art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.
Medium: Cyanotype
Culture: American
Geography: USA
Date: 1890
Collection: Thomas Smillie Collection (Record Unit 95) - Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.
Repository: Smithsonian Institution Archives
Accession number: RU95_Box79_0001
Untitled
Image by Smithsonian Institution
Description: As the Smithsonian's first photographer and curator of photography, Thomas Smillie used images to catalog the much of the institution's physical object collection, ranging from stuffed animals to plant fossils, decorative boxes, and beyond. The photographs themselves are now part of the Smithsonian's collection.
Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917
Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie's duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum's installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie's documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution's art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.
Medium: Cyanotype
Culture: American
Geography: USA
Date: 1890
Collection: Thomas Smillie Collection (Record Unit 95) - Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.
Repository: Smithsonian Institution Archives
Accession number: RU95_Box77_0035
DONKEY IN DUBLIN ZOO
Image by infomatique
For the Greeks, the donkey was associated with the Syrian God of wine, Dionysius. The Disney film Fantasia (1940) features a Dionysian character on a donkey. The Romans also valued the ass and would use it as a sacrificial animal.
The donkey makes a number of appearances in the Christian Bible. In fact, the most common Greek word for ass, Hamor, appears roughly 100 times in the Biblical text. In the Old Testament, God chose to speak through a donkey to show Balaam the folly of his ways. In the New Testament, Christ rode into Jerusalem on the back of a donkey. Legend has it that the cross on the donkey’s shoulders comes from the shadow of Christ's crucifixion, placing the donkey at the foot of the cross. It was once believed that hair cut from this cross and hung from a child's neck in a bag would prevent fits and convulsions. The Bible often specifies if a person rode donkeys, since this was used to indicate a person's wealth in much the same way as ownership of luxury cars do today.
In 1495, the ass first appeared in the New World. The four males and two females brought by Christopher Columbus bred to horses gave birth to the mules which the Conquistadors rode as they explored the Americas. Shortly after America won her independence, President George Washington imported the first mammoth jackstock into the young country. Because the Jack donkeys in the New World lacked the size and strength he required to produce quality work mules, he imported donkeys from Spain and France, some standing over 16 hands tall. One of the donkeys Washington received from the Marquis de Lafayette named “Knight of Malta" stood only 14 hands and was regarded as a great disappointment. Viewing this donkey as unfit for producing mules, Washington instead bred The Knight to his Jennets and, in doing so, created an American line of Mammoth Jackstock.
Despite these early appearances of donkeys in American society, the donkey did not find widespread favor in America until the miners and gold prospectors of the 1800s. Miners preferred this animal due to its ability to carry tools, supplies, and ore. Their sociable disposition and fondness for human companionship allowed the miners to lead their donkeys without ropes. They simply followed behind their master. Sadly, with the introduction of the steam train, these donkeys lost their jobs and many were turned loose into the American deserts. Descendants of these donkeys can still be seen roaming the Southwest in herds to this day.
By the early Twentieth Century, the donkey became more of a pet than a work animal. This is best portrayed by the appearance of the miniature donkey in 1929. Robert Green imported miniature donkeys to the United States and was a lifetime advocator of the breed. Mr. Green is perhaps best quoted when he said “Miniature Donkeys possess the affectionate nature of a Newfoundland, the resignation of a cow, the durability of a mule, the courage of a tiger, and the intellectual capability only slightly inferior to man's.” Standing only 32-40 inches, many families were quick to recognize the potential these tiny equines possessed as pets and companions for their children.
Although, the donkey fell from public notice and became viewed as a comical, stubborn beast who was considered “cute” at best, the donkey has recently regained some popularity in North America as a mount, for pulling wagons, and even as a guard animal. Some standard species are ideal for guarding herds of sheep against predators since many donkeys have a natural aversion to canines and will keep them away from the herd.
